On Thursday August 25th Canon released the 5D Mark IV with a 30 Mega Pixel count, 4K video and a shooting speed of 7 Frames per second. While all these aren’t new to the camera industry there is one featured I’d like to highlight 1st.
Dual Pixel Raw
Dual-Pixel RAW gives you the ability to choose focus in post, because as you may or may not know RAW files, keep all the information that the camera processes at the initial time of capture. With Dual-Pixel RAW, you can take an image, and even though you had one object in focus, you can change the object of focus to something else. I believe this is a feature that’s going to used by a lot of people.
Dual Pixel Raw can produce a bit of laziness on the part of photographer, because now you’re not dependent on your skill, but you’re dependent on fixing everything in post. I’m sure there’s going to be some limitations, so we have to definitely test this thoroughly in the field.
The addition of 4k to the Mark IV was to me necessary with just about all cameras today sporting 4k video capture (including the iPhone 6s). 4K videos been around for at least the last four years and Canon has finally put this into their pro-consumer cameras like the 5D series or even the 1DS. This is a feature that was out in their professional video series for awhile, but now it’s the first time they’ve introduced them to a digital SLR body.
It’s quite clear that the 5D series is definitely a flagship for Canon, because it was the first to do video — back in 2008 when the Mark II was released — and now it’s the first in its class to do 4K video. It isn’t just pro-consumer 4K, which is 3840 by 2160, but it also supports cinema 4K, which is 4096 by 2160. That’s going to be a bonus for a lot of people. Hopefully the Canon, the camera can record a higher resolution, or higher data-rate through an external recorder, and we’re not just going to be dependent on recording to the memory card.
This video below covers the video features of the 5D Mark IV
30 Megapixel of Raw data
At the time of creating this post (Monday August 29th) the latest Adobe Lightroom, Photoshop and Affinity Photo could not edit the Raw files from the 5D Mark IV. This isn’t because the 30 Mega pixels size but because the camera is so new these companies need to update their software. However I will do a follow up on this and post the RAW image editing abilities. (see video below for the error)
The video below covers details on the still features of the 5D Mark IV watch it to get even more in depth information on this flagship camera.
Should you buy the Mark IV? The Short answer: if you are even consider it and can afford it yes. However if you have just started in photography and are looking for more resolution and a better camera there are countless others at lower prices that will do just fine. The 5D Mark III is a good camera to buy if you want to keep your budget under $3000, Fuji Xt2 is another great camera, also the 7D Mark II is great if you want speed but not a full frame sensor. However if you want something to replace your aging 5D Mark II, and you want 4k video and can afford the $3809 (with tax) price tag by all means pre-order the 5D Mark IV because on paper it’s worth it.
Over the last 2 years I’ve worked on two documentaries: Frustrated 2 which deals with the broken child support system here in the United States. As well as Unethical Practice which deals with the fire at will policy that many companies have and which provides no job security for the working class. While these 2 projects were created on a shoe string budget the process from start to finish was anything but short and sweet.
Frustrated Chapter 2
Frustrated as the title goes deals with the frustrations that many face in the United States. Chapter 2 deals with the Child Support System and how Fathers and even mothers are treated who don’t have custody of their children. The preparation process before starting to edit this film was broken down into 4 sections:
Gather all the footage
Getting all the clips together is vital as it helps you find the videos you will need for the final timeline. I am grateful that when I got the hard drive from the cinematographer all the footage was organized into folders by date, the audio and video were also stored in separate folders. I cannot stress enough how important organizing for any project is VITAL!
Identifying the Useful sections
After you have located all of the footage for your edit you then have to spend a large portion of your time listening and taking notes, this way you can begin to get familiar with the footage. Even if you shot the footage yourself, getting reacquainted is equally important to organizing your footage, this way you know who said what when and where.
Syncing the Audio
You may or may not know but a camera be it a motion picture camera, iPhone camera, consumer video camera is not meant to be an audio device! As a result audio is often recorded separately and synced in post. For the synchronization I used final cut x audio syncing feature. You simply choose your audio, then choose you video, right click and from the menu choose synchronize clips.
However keep in mind that your camera needs to have some audio — which is often called scratch audio — this audio is used and analyzed for the synchronization. For syncing to work well the key is getting clean audio, once both your camera’s audio is clean and the audio coming into your audio recorder the process is usually seamless.
Organizing the clips
Final cut X helps editors keep organized by placing all the elements for their films into a library file.
This is a great way to keep your entire film organized because from my past experience, you don’t want to have your files everywhere and on different drives. Scattering your footage makes backing up or moving your project from drive to drive very difficult. It also slows down the editing process because your elements are coming from different locations which of course put more work on the processor, hard drives and ultimately your system.
This documentary which is approximately 15mins long had a totally different post production process than that of Frustrated 2. One of the challenges was the that there were no dedicated cinematographers, it all had to be shot as we built the timeline. This process was challenging to me because I could not envision the final edit. Whenever I’m lost with my edit I stop and think: what is the purpose of this film and how best can I present that?
With Unethical Practice I identified that we need present the problem and lead up to the solution. In the end it really wasn’t just my brain storming that solved the problem but a close collaboration with the director & producer of the film. I will create a separate post going over in depth my Unethical Practice workflow and the overall message behind the film.
Now that you’ve started your portfolio it’s time to share it with the world. One of the most daunting tasks for many photographers — and creatives alike — is choosing a place to display your work, after all this is your passion and how it’s presented is crucial. Before we jump into the various options, let me mention that finding a portfolio layout can take hours of searching. just to find the exact look. While you may enjoy the search, It is essential however that you eventually get your work out there. Sometimes free options are helpful when you have limited time and resources but when you set aside the time to search you should choose wisely.
WordPress & Themes
In my last article on portfolio platforms I mentioned the flexibility and efficiency of WordPress, well now we are going to dive into its options and capabilities. One of the key principles to remember is that “Simplicity is the ultimate sophistication” basically keep it simple yet functional. One of my favorite features of WordPress is its ability to change the look and function of your website by using themes.. Think of themes as phone cases or spring jackets, where you are able to change the colors & even function of what you had on before. When it comes to portfolio layouts these are a few of my favorite themes of 2016.
PIXELGRADE — PILE
I recently setup Pile to run my photography website C-WELL PICTURES. I choose Pile because it was UNIQUE yet Simple. Remember what I said about simplicity earlier? While there are many who’d say I need more options I’d say removing what’s unnecessary and keeping what’s necessary and what works is better than having excess. We see this a lot as photographers and artists — people who want everything thrown in when they’re paying for something — this mindset only cheapens the quality and takes the artist out of the equation. Pile does the opposite, it leaves in what’s needed and removes the fluff.
Here’s an example: When dealing with the headers on any given page
there are tons of options everything from video backgrounds, image backgrounds, text sizes, a slideshow and most importantly the position of your text. Some of these options and more are available on other themes but to me one of the most essential option is where the hero text is placed. There are plugins like Visual Composer that gives you all the options in the world — when it comes to laying out your site — but with that plugin the developers skimp on simplicity and ease of use. As a result myself and many others don’t use themes that come bundled with Visual Composer.
While I was setting up Pile I realized there were a few things I wanted to change. Wanting to change a theme is common, as developers aren’t catering specifically to you, they might be catering to a particular market but your uniquely you, so don’t be surprised if you want to modify a few things. Within a few weeks, when I went back to my downloads area in Theme Forest, I noticed that Pile 2 was forth coming. The preview image looked interesting and after waiting about 2 months it was finally here. At first glance it looked pretty much the same minus the Hero area (top header area that displays the image for any given page).
When I looked a bit deeper and started to work with it I found there were a ton of features added such as:
Lazy loader an overlay animation that displays as your page loads
(which can be turned off and on by the way).
Menu & logo areas now have more options
Bug fixes the page builder has been cleaned up and works better
WP forms & installs when setting up the theme and flows well with the Pile 2
Social Sharing has been added
Portfolio grid also received some upgrades
I am quite sure that Pixelgrade isn’t resting easy now that Pile 2 is here in fact the week of the release there was an update which addressed some of minor issues. Overall Pile is my goto theme because it has a proper balance of form + function. What would I change about Pile 2? Well here are few things:
I would have mobile options for the hero areas as the desktop layout dictates more of what the mobile can and cannot do.
More Options for video professionals (play button colors)
Layout templates (where I can save a layout and use it again)
ThemeBeans — Charmed Pro
Theme Beans to me sits as an hidden gem in the WordPress Theme community. While owner Rich Tabor isn’t the best developer out there his attention to detail is something very few in this community demonstrate. Charmed Pro is clean and uncluttered, It displays your work with speed and its overall experience is smooth. Charmed also incorporates video into your portfolio which is a great bonus.
Features that Like:
Speed and ease of use
Mobile version is spot on great responsive work doesn’t take away from the site’s presentation.
Floating Hire Me button so clients can book nice touch.
Clean and fluid light box
Lazy Loading of images as you scroll down 🙂
What I’d like to see:
Top menu option not just side
Customized blog (similar to the portfolio layout)
Inline Video where the user clicks on an image with a video icon and the video start to play in a lightbox similar to – Instrument’s video
Charmed isn’t a top menu portfolio theme and I get that, yet it’s so uncluttered you want to take it’s simplicity and speed to a different layout — this is what I was explaining when I said that themes aren’t catered to the individual but to a collective industry.
Avoc is a theme that uses some of the similar functions of Pile yet it is totally different. Avoc displays its portfolios with a Wolf Parallax. This unique additions gives you a floating image and text that can move with the visitor as they sweep past your images with their mouse. Though I have Avoc last on my list of portfolio themes it’s far from being the least of these 3. This theme has the most options out of all the themes listed here. For instance Wolf parallaxes can be adjusted by percentage so an image can take up most of the screen while the text takes up a small portion & vice versa. Avoc also has hero options from Full height, to 80%, to 50% of the height of the window which means you have more control over how your hero images are displayed. Your pages are designed using a page builder which works through the use of columns and rows or if you’d like you can use a wolf parallax.
Features I liked:
Page builder with good flexibility
Lots of options to choose from (buttons / spacers / galleries)
Lots of header options to choose
Wolf Parallax different but useful
What I’d like to see:
Ability to save page layouts to be used again
The ability to drag and drop elements from different rows on the same page
More mobile options where you can turn on/off items when on mobile devices
Choosing a theme, as most things in life boils down to your preference. It is important though, that we aren’t caught up in the sheer options and the aesthetics. A theme must on its own be able to get the job done. Once your can display your work and give users the ability to navigate your site then options and aesthetics should be considered.
Ever so often I’m asked: what should I charge for a wedding? It’s a question many photographers ask — experienced or not — Believe me I get it, I remember when I was asking the same question. knowing what to charge can be a difficult question. As you think about your work and time that will go into a said project. you wonder if what your charging is really what your worth. A few factors need to be considered before pricing your wedding packages.
Your Time (production and post)
– How many hours of shooting are you doing?
– How many hours of editing?
– Are there are special techniques that you bring to the table?
– Does each project help cover your expenses (monthly or weekly)?
– If you booked only one project for the month would the income last?
– Are you renting equipment is that included in your price?
– Just made a major purchase can your pricing cover that expense?
– What quality are you looking & does your pricing match that?
– Is your style easily replicated?
– What makes your work different from others?
– What are you providing the client?
– Does what you provide add value to them?
Finding the right balance
If you charge $250 for a 1 hour photoshoot that includes prints,
what should a wedding cost that takes up a full day and a few weeks of editing cost?
In 2016 Average price is for a wedding is $2500 but this depends on where you live. For example in California the average cost is – $3931 and in Salt lake City Utah it’s – $2215. These are of course average prices and can serve as a guide the real pricing is determined by you and the value you bring to the table.
As far as my business pricing goes I use an hourly rate as my base so I know that no project should be below that price. My hourly rate is $80hr and my photo sessions start at $375 this includes editing. My wedding packages start at $2999 and include a Signature Album, prints and an online gallery. Overall I look at what I offer my clients — years of dedication, expertise, quality, story telling, a creative eye — and I price my services accordingly. It’s always good to evaluate your work you can even ask your clients, they’ll give you insights to things you wouldn’t normally see.
As you evaluate you will begin to see where you can improve, this should also give you an idea of the quality of work you deliver and help you come up with your pricing. If you know you struggle with shot ideas then work on concepts in between projects. The fact that you are improving adds value to your work and drives up your cost. Your ultimately in charge of your pricing, since only you know your process and the story behind how you got to where you are today. So don’t be afraid to charge, because those who don’t know your worth will go away and those who do will stay.
One of the key elements of an online photography journal is telling the story. This site is my photo journal—although right now I use it to share my knowledge of technology & creativity—in the near future I intend to put up more of the work and the behind the scenes process.
As you take photos year after year, you want to eventually share the stories behind those special moments. Here are 3 tools you can use to share those stories.
Choose the Platform
Choosing the right platform for you journal is crucial. Most any web platform can work but the platform should be suitable for you. Are you looking to post a photos, then write a few lines of text? If that’s the case, then maybe instagram would be ideal for you. If your looking to post more details, then one of these platforms below are for you.
Web Site Builders
Below are a list of web apps that create your site based on specific themes. These tools work to create the look and feel but many of them lack additional functionality or customization. They do offer you the ability to change the look of your site but they do no offer you the ability to change it’s capabilities. For example if you wanted to create a section where only clients have access, you’d either have to hire a programmer or switch platforms. Or if you wanted to add a particular method of payment (Square or Stripe) you would only have the option to choose what that builder has built in.
These Content Management Systems provide a huge advantage over a standard builder. They provide a more complete system compared to builders. However WordPress gives more of a full featured set than Squarespace. A quick way to compare the 2 would be to compare Android Phones to iPhones. Android gives you more control over your phone than the Apple’s mobile platform. Of course every user is different — Some might require more tools than others — the best method is to write down your needs and look for the tool that comes the closet to those needs.
Fee option available (wordpress)
A standard blog can work as a journal, keep in mind however that you want to create a story for your readers not a note. These platforms though simple can help you focus and just write. Of course you can also sprinkle your photos in between your copy to help give color and appeal to your readers. As you start to blog it can be tempting to take your site — journal in this case — to the next level, this is where blogging platforms become limiting, other than that they work perfectly fine.
If I had to choose one platform for a person who has photography skills and stories but lacks the time and skills to build a website, I would choose Squarespace. For those who are on a tight budget Wix and Weebly is a good place to start but I would recommend moving to Squarespace after you have enough content and an audience to view it.
Hard drives are still the most widely used form of storage to date. Many would argue that no other form of storage has the capacity to cost ratio as a standard drives. With the variety of manufactures available today, and the constant change in technology it can be quite difficult to choose.
G-tech EV Drive
Although the G-Technology EV Drive has been around for a few years, this portable drive is still used by many professionals. There aren’t any frills or add-on software included but these drives have enclosures that are built to last. I have used G-tech drives since I started video production back in 2005 and although the ride hasn’t been smooth the drives have been very reliable. I edited my last documentary on 2 EV drives — one was used as a backup the other as my active editing drive — and they both performed flawless. An alternative to the EV drive would be the Buffalo MiniStation with a similar approach to g-tech, Buffalo keeps the packing and the setup simple. The only difference is the Buffalo doesn’t just include USB 3.0 but thunderbolt, this provides more room for additional peripherals by leaving one usb port free and gives more head room for speed when connecting multiple drives. The EV drive has an add-on to give it thunderbolt speeds but we will discuss that in another article.
Western Digital Studio
The Western Digital Studio is my personal choice for those on a budget who need a good drive that has a great warranty (Limited 3-Year Manufacturer Warranty) and a clean and simple setup. With the addition of usb 3 and a metal enclosure these drives are good for storage in a fixed environment. I wouldn’t recommend taking a high capacity drive on the road, that’s what portable drives are for. A slight set up from the Studio drive would be the G-tech G1 Drive the main advantages are a stronger case and and a power switch, not much of a difference but some folks care about the small details.
Samsung 850 Pro
The invention of the Solid State Drive (SSD) can be traced all the way back to the 1950s and today we see them readily available at reasonable prices. Some argue that the SSDs are reliable due to their rewrite life — the fact that they are rated at about 100,000 writes and then they are dead. However note that each drive listed should have a purpose and no one drive should be the cure all for every storage situation. In the case with the SSD I use these for speed. Typically when I need to render a movie from my editing suite to the web or if I need to edit a ton of photos in Lightroom and export them, the Samsung 850 Pro solid state drive would work quite well at speeds of 550MBs reads / 520 writes. I wouldn’t look at storing sensitive data on a solid state with hopes that nothing will ever go wrong and if I do I will have a back up.
Thunderbay Raid Array
With many cameras today recording at 4k many work stations require multiple drives working in sync to harness the speed needed to playback these high streams of video (with an SSD the drive sizes aren’t enough for hours of Ultra HD content). The Owc Thunderbay Raid 5 Enclosure while a bit expensive for most consumers / prosumer is quite reasonable for the professional. The enclosure has 2 thunderbolt 2.0 ports as well as quiet fan to keep this 4 bay enclosure cool. The setup above contains 20 Terabytes of storage and gets speeds up to 581MBs for reading data and 680MBs for writing that’s great for both speed and storage.
Choosing a bare drive
Many will say any hard drive will suit your needs and then there are those who say stay away from Seagate or even Western Digital. However my personal experience is no matter the manufacture, always backup your files every drive can die. Now I understand for those who cannot afford a second drive right away what do you do when you have 2-3 Terabytes of data? Well you can still back up the most important files online using a service like dropbox or google drive. Obviously 1 google account won’t be enough as they only give you 15gigs of storage but remember that each google account is free so picking up 2 or 3 won’t cost you anything.
Western Digital Black Caviar
I have purchased about 10 Western Digital black Caviar drives over the past 10 years and I cannot remember the last time one of those drives died on me. From my 1st purchase these drives have been fast, somewhat quiet and reliable I’d recommend then to anyone in need of a simple setup. It seems that Western Digital doesn’t place these black Caviar into their Studio or desktop enclosures (most times it’s Green drives) I could only assume they are looking to keep their cost down. When purchasing these drives you are either putting them into a Raid array similar to the Thunderbay or into a single enclosure like this one from Akitio. Hard drives have been around for quite awhile and I don’t see them becoming obsolete anytime soon. DVDs and Blurry discs are cheaper buy they don’t have the capacity and speed of drives—Hence why I never converted my storage over to bluray discs. Use this article as a guide when picking up your next drive but study carefully your needs and choose the drive best suited for you.
Mirrorless cameras have been around for a long time. In the 1800’s one of the 1st ever photograph was taken by Joseph Draper. Draper took a portrait of his sister with one of the first ever portable cameras made by a company called Niépce. Was this the first mirrorless camera?
Fast forward centuries later and we have the SLR. Single Lens Reflex cameras often use a mirror and prism system that allows the photographer to view through the lens and see exactly what will be captured, contrary to rangefinder cameras where the image could be very different from what will be captured. We then moved to Digital SLRs or DSLRs which incorporated a slightly sophisticated computerized system. Rather than exposing light to film the light is expose to a sensor and the image is processed to a memory card.
The Mirrorless System
The 1st alleged digital mirrorless camera was introduced by Epson in 2009 it was known as the Epson R-D1. Since then several other cameras have been released, all with different mounts and sensor sizes. Below is a list I’ve complied for easy access.
The Sony A7 R II is not a DSLR and many know this but the features it has to offer make it quite attractive. Announced on June 10th 2015 the updated version to the Sony A7 R the A7 R II has a lot to offer such as:
42Mega Pixels / Full-Frame CMOS Sensor
BIONZ X Image Processor
5-Axis SteadyShot INSIDE Stabilization
399 Phase-Detect AF Points & 5 fps Burst
Internal 4K video recording
Weather-Resistant Magnesium Alloy Body
Built-In Wi-Fi Connectivity with NFC
22 Fames per second (5 at 42megapixels)
if the 42 Mega pixel count wasn’t enough the A7 R II has image stabilization built into the body of the camera. Also it’s low light capability is extraordinary (though not as good as the A7 R) the Iso ranges from 100-25600 and is expandable to 102,400. These feature and more make this $3200 camera a great contender in the mirrorless camera world.
The Newly released (February 18th) Fuji X-Pro2 provides a lot bang for your buck. Some of the Fuji features include:
Acros black and white film simulation (filters)
273 autofocus points (169 of which are phase-detect)
8 Fames per Second
The Fuji size and retro look makes it great for those who like the Leica Rangefinders. The built in filters are an added bonus for those who would like to add effects in production vs. in post overall Fuji makes a great camera at $1999.
The Panasonic GH4 (released May 2014) is my personal favorite. As of today this camera it’s still used and talked about among film professionals. The main advantage for me is it’s 4k video quality and flexibility. Panasonic has always been good when it comes to color adjustments and providing options for the film maker. Of course its 16 mega pixel photo capabilities are quite useful, below are a few of the images captured with my own Gh4.
Gh4 North River Church
Natural Light vintage lens manual focus no adjustments.
Gh4 North River Church
Same location no adjustments only available light.
The Gh4 the Horse watch
Shot in raw no correction at all just converted to jpeg
Cost (most models)
Video auto focus
Speed (frames per sec)
Electronic Viewfinder low light issues
Smaller sensors (MFT)
Battery life (can be fixed)
Mirrorless cameras appear to be the future — I say appears because we have no clue what camera technology is next. Though I’m still getting use the the electronic view finder, the weight and size are very welcoming. The absence of a mirror creates flexibility for any lens system (Canon, Nikon, Leica, Zeiss). Many believe that mirrorless cameras aren’t ready to replace DSLRs. I’d challenge that thinking by saying they are ready. Any camera can get a project done however some will require more work than others. Take for example the Watchtower of Turkey a video montage shot over 20 days. It was shot on the Panasonic Gh3 (the model before the Gh4), and a Gopro, yet there isn’t anything quite like this video:
Watchtower of Turkey from Leonardo Dalessandri on Vimeo.
In the market for a new camera? Pick up a mirrorless camera, they are quite liberating.
The idea of starting a journal seems old fashioned and unfruitful. A lot of times, journals are thought to be something girls do or for men who are really in touch with their feelings, but starting a journal is much more than that. It’s not just the idea of sharing your feelings, but it’s the idea of expressing them and being able to help someone else in the process.
Learning from the Past
One of the things journal writing has taught me is to actually think back on my day and remember all the lessons I’ve learned. It could have been a photo shoot, it could have been the day I purchased a camera, it could have been a day something tragic happened. When I say a photo journal, I’m not talking about grabbing a bunch of pictures, laying them out on the table, getting a portfolio, placing the pictures in the portfolio, and creating a label to describe each picture. While that’s a great way to catalog your journey, that’s sort of a portfolio type journal. What I’m talking about is actually writing your thoughts & experiences down in a book, or on a blog. It’s amazing what happens when we start to collect our moments and share them. The minute we share, we open ourselves up to criticism and comments. As artists, criticism can be an experience we tend to shy away from — because who wants someone critiquing their craft or their “baby”, so to speak? But how do we expect to grow if all we hold onto are our thoughts and feelings?
Getting things out
Writing also helps you with articulate your thoughts, so that you can express what’s in your head to someone else. This process is actually preparing us to someday teach. As others read they can learn from your experiences and become better at their craft or better photographers in this case. What has written can also be repurposed and create content for other platforms which I won’t go too in depth in this post, but probably will talk about this in a future post.
There are a number of tools available to start your journal, I personally use a black and white composition book and other times Day One as well as Ulysses. There are online platforms available as well. Tumblr and Medium are two platforms that make it quite easy to share your experiences and are both free. Notice that I didn’t mention anything about monetization as the main purpose of starting your journal is bigger than you earning a few dollars a day, it’s about the process and growing each step of the way.
You’ve taken a few photos and your now ready to start your photography portfolio. Where is the 1st place you should go? How much would it cost you? These are key questions but there are a few steps to take before making a choice. A portfolio is a must as a photographer, after all it’s a very effective way to share you work. You will also have the opportunity to review your work from time to time and discover ways you can improve.
Prepping your Portfolio
Before you can actually launch your port go ahead and choose your best images, you may want a friend to help you with this part as many artists tend to be critical of their work. When you have chosen approximately ten images, making sure that they are all high resolution (same size as they were shot or at least 2048 x 1500) and about the same width and height. The reason you want your images to be the same height and width is for consistency. As far as wanting them high resolution that should be obvious (more pixels better details usually). In the end where ever your images end up you want them to each have the same affect, to draw the attention of the viewer into each story as they go from image to image.
Choosing a host
Now that you have all your images we need to choose a site where your images can be easily accessed. There are a number of places, so I will do my best to go over each along with their pros and cons.
I use 500px just about every time I capture an image that’s worthy of my portfolio. The interface is simple, works well, and the community is great. Although there are some great aspects of the site, most features are unavailable until you pay for upgrade, pricing starts at $25 per month and goes all the way up to $165 go here for more details.
Free account only offers 20 photos per week
Selling requires high visibility can be hard for new photographers
Zenfolio has been my portfolio company of choice for over 10 years. I have been with them since 2006 mainly because of their features and the fact that the site is solid. To name a few of the features that I enjoy
Password protected galleries
Print ordering directly from galleries
Templates for site & galleries
SEO & blog options
All these features however come at a premium. Zenfolio’s pricing starts at $60 annually (a lot cheaper than 500px) however the base package doesn’t include all the above mentioned features, for full pricing and features go here.
Probably one of my most used sites in 2016 is Twenty20. Twenty20 is a California based company that doesn’t just showcase your work, they actually help you to sell. Keep in mind if you want to upload your portfolio pictures to this site, it will probably end up being sold . Their purpose is to help you sell your work so you can earn income. The system works fast, they give your work exposure they’ll actually collect your pictures and put them into categories so that buyers can actually find them it’s really nice.
The last two are Flickr and Google Photos, they’re both great, they’re both fast, and they’re both available on IOS apps and Google Play. They give you tons of space Flickr gives one terabyte, Google is unlimited. If you want to be able to start showcasing your work, take advantage of these two as much as possible.
Today sharing your photography portfolio is just a vital as in the days of the printed portfolios, in fact I still recommend that each photographer have a tangible portfolio, after all there are clients out there who are more tactile and enjoy the texture and materials of printed photos. A physical portfolio is also a good conversational piece when your socializing and don’t need the distraction of technology. Start your portfolio today it’s something you won’t ever regret. Years from now you will be able chart the progress of your work, countless lives will be touched and you will have established a series of images that create a legacy for your work.
When you pick up a camera each image you capture is a story. The key in knowing how to capture those stories begins with lighting & composition. Composition is one of the first steps to better photography. It is understanding how to properly arrange the subject(s) in the frame, so the viewers can clearly understand what it is your trying to convey. It is one of the most essential parts of photography.
"Opportunity is missed by most people because it is dressed in overalls and looks like work."
Composition a Process
When you look through a view finder on a camera your presented with your scene. Yet when you get to the editing process the image looks completely different, in most cases it doesn’t live up to what you saw in your head why is that? Well one of the first steps to creating your shots is to have a plan. If your shooting in a broken worn out building, realize that to capture the full scene you need to either step back or use a wide lens.
Composition comes before the actual photo is framed in your viewfinder. Composition starts in your head and is then transferred to the view finder, then your editing room and eventually to your audience. When taking portraits, placing the subject center frame might not be your best option, as this looks flat and more traditional (depending on who you ask).
Placing your subject slightly off center creates more style and makes the image more picturesque. Of course if you want him/her to own the scene and be separated from all others center frame can work.
The principle of composition exists in various art forms: from sculpting, to song writing and even public speaking, It is vital, it creates the art before it’s physically manifested. As far as photography, where you stand, how you hold the camera, what angle you choose and the type of lens you use, are all factors of creating or composing your shots.
Below are a few examples of (visual) composers I follow on 500px. Study their work and see what you can discover about composition: